Detailed program of courses
| Components of the flexographic printing group | |||
| Flexography among packaging printing systems | |||
| Packaging among printed products | ◒ | ⬤ | |
| Printing systems and printing forms | ◒ | ⬤ | |
| Inking restraints of different systems | ⬤ | ||
| Ink transfer and graphic reproduction | ◒ | ⬤ | |
| Press structure in different printing systems | ⬤ | ||
| Substrates used in the various printing systems | ⬤ | ||
| Packaging products reproducible in different printing system | ⬤ | ||
| Inks characteristics | ⬤ | ||
| Recognize the printing technology on printed products | ⬤ | ||
| Comparison of printing systems | ◒ | ⬤ | |
| Evolution of flexography | |||
| The origins of the flexographic system | ⬤ | ||
| Evolution of the inking system | ⬤ | ||
| Flexographic presses structures | ⬤ | ||
| The anilox roller | |||
| Understanding cell count and volume | ◒ | ⬤ | ⬤ |
| Evolution of anilox rolls | ⬤ | ⬤ | |
| Laser engraving on ceramic | ◒ | ⬤ | ⬤ |
| Construction, characteristics and tolerances | ⬤ | ⬤ | |
| Comparison between different angles and engraving geometries | ◒ | ⬤ | ⬤ |
| Engraving volumes and ideal ratios | ◒ | ⬤ | ⬤ |
| Anilox-to-plate ratio | ◒ | ⬤ | ⬤ |
| Main defects due to excess ink | ◒ | ⬤ | ⬤ |
| How to measure anilox volume | ⬤ | ⬤ | |
| Cleaning systems and maintenance | ◒ | ⬤ | ⬤ |
| Ink metering in flexography | |||
| Ink metering systems | ◒ | ⬤ | ⬤ |
| Characteristics of the doctor blade | ◒ | ⬤ | ⬤ |
| Metering angle | ◒ | ⬤ | ⬤ |
| Metering system components and characteristics | ⬤ | ⬤ | |
| Usage suggestions | ◒ | ⬤ | ⬤ |
| Flexographic ink | |||
| Types of ink | ◒ | ⬤ | ⬤ |
| Comparison of solvent and water | ◒ | ⬤ | ⬤ |
| Curable inks | ◒ | ⬤ | ⬤ |
| Concentration and opacity | ◒ | ⬤ | ⬤ |
| Pigments and Color Index | ⬤ | ⬤ | |
| Types of resins and characteristics | ⬤ | ⬤ | |
| Solvents and dilution | ⬤ | ⬤ | |
| The pH in water based inks | ⬤ | ⬤ | |
| Typical additives and their functions | ⬤ | ⬤ | |
| Viscosity and control | ⬤ | ⬤ | |
| Determine the volume of ink needed | ◒ | ⬤ | ⬤ |
| Ink formulation | ◒ | ⬤ | ⬤ |
| The flexographic printing form | |||
| Main features | ◒ | ⬤ | ⬤ |
| Thickness, relief and hardness | ◒ | ⬤ | ⬤ |
| Creating a relief printing image | ◒ | ⬤ | ⬤ |
| Flat top or round top | ◒ | ⬤ | ⬤ |
| Measurement of printing elements on the plate | ◒ | ⬤ | ⬤ |
| Cleaning and compatibility with solvents | ⬤ | ⬤ | |
| Plate mounting and adhesive tapes | |||
| Plate mounting | ◒ | ⬤ | ⬤ |
| Principle and structure of double-sided cushion tapes | ◒ | ⬤ | ⬤ |
| How do you make impressions on press | ⬤ | ⬤ | |
| Thicknesses and tolerances | ⬤ | ⬤ | |
| Suggestions for the use of double-sided tapes | ⬤ | ⬤ | |
| Cylinders and sleeves for plate mounting | |||
| From gears to gearless | ⬤ | ⬤ | |
| Where printing takes place | ◒ | ⬤ | ⬤ |
| External diameter and plate compression | ◒ | ⬤ | ⬤ |
| Substrates | |||
| Classification of substrates and their use | ◒ | ⬤ | ⬤ |
| Surface tension | ◒ | ⬤ | ⬤ |
| Paper and Corrugated cardboard | ⬤ | ⬤ | |
| Web tension | ◒ | ⬤ | ⬤ |
| Perception, reproduction, measurement and color management | |||
| Principles of graphic reproduction | |||
| From live image to printed reproduction | ◒ | ⬤ | ⬤ |
| Halftone and resolution of the human eye | ◒ | ⬤ | ⬤ |
| Resolution of devices in the production flow | ⬤ | ⬤ | |
| Types of screening AM and FM | ⬤ | ⬤ | |
| Color and perception | |||
| Perception and characteristics of light | ⬤ | ⬤ | |
| Color modes, additive and subtractive synthesis | ⬤ | ⬤ | |
| The color of light | ⬤ | ⬤ | |
| Viewing and lighting conditions | ◒ | ⬤ | ⬤ |
| Behaviors of the human eye | ⬤ | ⬤ | |
| Color measurement | |||
| Describe color with mnodels (Lab, LCh) | ⬤ | ⬤ | |
| Understanding and measuring density | ◒ | ⬤ | ⬤ |
| Area coverage and dot % | ◒ | ⬤ | ⬤ |
| Settings of densitometer and spectrophotometer | ◒ | ⬤ | ⬤ |
| The color difference (Delta E) | ◒ | ⬤ | ⬤ |
| Color management | |||
| Color management principles, gamut and profiles | ⬤ | ⬤ | |
| Color conversion | ⬤ | ⬤ | |
| Four-color separation and construction of the profiles | ⬤ | ⬤ | |
| Output intents, generic and specific conditions | ◒ | ⬤ | ⬤ |
| Color is managed in the press room | ◒ | ⬤ | ⬤ |
| The role of design | |||
| Use of special colors | ◒ | ⬤ | ⬤ |
| Guidelines for the reproduction of text and lines | ⬤ | ⬤ | |
| Guidelines for the traps | ⬤ | ⬤ | |
| Guidelines for linescreen settings | ⬤ | ⬤ | |
| Guidelines for bar codes | ⬤ | ⬤ | |
| The role of prepress | |||
| Calibration and compensation curves | ◒ | ⬤ | ⬤ |
| Prepare a job for flexo printing | ⬤ | ⬤ | |
| Color management methods (ISO 10128) | ⬤ | ⬤ | |
| Color conversion with Device Link profiles | ◒ | ⬤ | ⬤ |
| The management of special and spot colors | ◒ | ⬤ | ⬤ |
| Beyond the four-color process: 6, 7 colors, EGP | ⬤ | ⬤ | |
| Color traps | ⬤ | ⬤ | |
| Full plate layout and plate distortion | ◒ | ⬤ | ⬤ |
| Contract color proof | ⬤ | ⬤ | |
| Plate making | |||
| Plate making technologies | ⬤ | ||
| Analog and digital systems | ⬤ | ||
| The photopolyerization process | ⬤ | ||
| Calibration of the platemaking process | ⬤ | ||
| Oxygen and polymerization: effects on the plate | ⬤ | ||
| Methods to obtain flat-top plates | ⬤ | ||
| CtP calibration: bump curve | ⬤ | ||
| Direct laser engraving systems | ⬤ | ||
| Quality, reference standards and calibration of the printing system | |||
| Perceived quality and measured calibration | |||
| We have always done in this way | ⬤ | ⬤ | |
| Print linescreen and quality | ⬤ | ⬤ | |
| Contrast, dotgain and quality | ⬤ | ⬤ | |
| Print density and quality | ⬤ | ⬤ | |
| Fundamental concepts and approach to calibration | ◒ | ⬤ | ⬤ |
| Description of the calibration phases | ◒ | ⬤ | ⬤ |
| ISO standards and reference specifications | |||
| ISO 12647-6 – flexographic printing | ⬤ | ⬤ | |
| ISO 20654 – SCTV | ⬤ | ⬤ | |
| ISO 15339 – printing with different technologies, CRPC | ⬤ | ⬤ | |
| ISO 10128 – color adjustment methods | ⬤ | ⬤ | |
| Optimization | |||
| Purpose and variables to be optimized | ◒ | ⬤ | ⬤ |
| Uniformity and ink laydown | ⬤ | ⬤ | |
| Tonal curves and compensation | ⬤ | ⬤ | |
| Conventional, hybrid screens and minimum dot management | ⬤ | ⬤ | |
| Optimize the roller inventory with the band anilox roller | ◒ | ⬤ | ⬤ |
| Fingerprint and process control | |||
| Purpose and variables to be checked | ◒ | ⬤ | ⬤ |
| Graphic elements to be used in the test | ⬤ | ⬤ | |
| The screen angles | ⬤ | ⬤ | |
| The calibration with gray balance | ⬤ | ⬤ | |
| Statistical approach and control charts | ◒ | ⬤ | ⬤ |
| Characterization and improvement | |||
| Purpose and variables to be verified | ◒ | ⬤ | ⬤ |
| Considerations on the characterization process | ⬤ | ⬤ | |
| From characterization data to profiles, to control data | ◒ | ⬤ | ⬤ |